Arctic Monkeys returned to Belfast for the first time since 2009 last night in what was an enthralling show.
The band were originally meant to play in Dublin over the summer, but after lead singer Alex Turner became sick they were forced to cancel. In an attempt to make it up to their Irish fans they announced three shows in Dublin and one in Belfast — a more than worthy attempt of apology.
Fans were familiar with opening act Miles Kane, whose performance was loaded with imposing guitar solos and gritty vocals. Being just the support didn’t curb his enthusiasm, instead Kane strutted about with the confidence of a headliner.
Arctic Monkeys finally took to the stage met with screams and yells from all in attendance. Dressed in suits and shades, the band showed no signs of exhaustion despite being on the back end of a year-long tour.
Opener ‘Sculptures of Anything Goes’ is one of Alex Turner’s many attempts at a Bond theme — a song that isn’t going to get your feet moving live but still impressive in its own grandness. Turner’s voice was also accompanied by an orchestra which only elevated his performance.
It wasn’t long before the band kicked into sixth gear, however, with ‘Brianstorm’ erupting and setting a chaotic pace tough to match.
Much has been made of their last two albums, with the band moving away from their rock ’n’ roll roots to a more experimental sound. However, these new additions only acted as a welcomed speed bump to the setlist, perfectly slowing down the buzzing nature of ‘Teddy Picker’’ to a more leisurely stroll with ‘Tranquility Base Hotel & Casino’. The band’s dynamic was on show — they have a little bit of something for everyone.
Arctic Monkeys, who are now 21 years old, showed off their discography depth in their setlist with fan favourites such as, ‘The View From The Afternoon’’ and ‘Fluorescent Adolescent’ making worthy appearances.
Lead single for their new album ‘There’d Better Be A Mirrorball’ stuck to the promise in the name, as in the final moments of the song a mirrorball lit up above the stage — lighting up the arena and elegantly matching Turner’s radiating performance.
Closer ‘R U Mine’ — one of the bands greatest hits expertly closed the night with fits of drum fills and furious guitar licks. “Thank you, Belfast. What a night!”, bellowed Turner, leaving the stage with as much swagger as he joined it.
There were a few noticeable exceptions from the setlist but it feels unnecessary to nitpick. Getting to see one the biggest bands in the world during their prime years was something special to witness — an occasion for all in attendance to remember.
Written by Jonah Osborne