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News

September 21, 2025

NewDad – Altar: Subterranean homesick angst powers another bold leap for Galway’s shoegazers

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August 3, 2025

The Royston Club embrace scale over subtlety on their expansive sophomore record

  • ALBUM REVIEWS
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July 24, 2025

Bloc Party @ On The Beach – Billed as the old, defined by the new

  • LIVE REVIEWS
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July 21, 2025

The K’s – Pretty On The Internet: Transforming Vulnerability Into a Vivid, Empathic Sound

  • ALBUM REVIEWS
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June 20, 2025

Kneecap @ Fairview Park – Giving Resistance a Soundtrack 

  • LIVE REVIEWS
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May 13, 2025

10 acts you need to see at The Great Escape 2025

  • REPORTS
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April 28, 2025

The Rock Revival’s Venue Guide to Liverpool’s Sound City Festival

  • REPORTS
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April 24, 2025

In Conversation With The Guest List: From Gazebos and Garage TikToks to Their Biggest Tour Yet

  • INTERVIEWS
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April 4, 2025

Djo – The Crux: A Musician Fully Confident In His Craft

  • ALBUM REVIEWS
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April 4, 2025

Black Country, New Road – Forever Howlong: A New Statement of Identity

  • ALBUM REVIEWS
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March 28, 2025

Somebody’s Child – When Youth Fades Away: A Mature and Natural Progression

  • ALBUM REVIEWS
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March 25, 2025

In conversation with Somebody’s Child: “The album’s a coming of age story, but not one you see in the indie movies”

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March 17, 2025

In conversation with The Wombats: “You would hope that a good song will find people eventually”

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March 14, 2025

Courting: Lust for Life – Symmetrical, Genre-Bending Genius

  • ALBUM REVIEWS
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March 10, 2025

In conversation with Courting: Boring rock bands, dividing a fanbase and new album Lust for Life 

  • INTERVIEWS
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March 8, 2025

5 Acts We’re Excited To See At SXSW

  • REPORTS
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March 3, 2025

Chalk @ Band On The Wall – Manchester: An Arsenal of Noise

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February 27, 2025

The Lathums – ‘Matter Does Not Define’: Stuck to Their Roots

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February 19, 2025

The Murder Capital – Blindness: A Masterclass in Emotion and Craft

  • ALBUM REVIEWS
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February 15, 2025

Sam Fender: People Watching – Indie act of the decade continues to lead the line

  • ALBUM REVIEWS
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February 13, 2025

In Conversation With White Denim: UK Tour, Bob Dylan and LA Fires

  • INTERVIEWS
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February 10, 2025

Inhaler live @ O2 Apollo Manchester – A party starter for album number three

  • LIVE REVIEWS
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February 7, 2025

Divorce Discuss Highly Anticipated Debut Album: Drive To Goldenhammer

  • INTERVIEWS
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February 2, 2025

Inhaler: Open Wide – A Mainstream Move With Flair

  • ALBUM REVIEWS
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January 31, 2025

Circa Waves: Death & Love Pt. 1 – Uplifting, Energetic Indie From The Jaws of Tragedy

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January 30, 2025

Brooke Combe – Dancing At The Edge Of The World: A Confident New Voice

  • ALBUM REVIEWS
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January 17, 2025

Pastel – Souls in Motion: A Bright Start For A Bold New Voice

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January 16, 2025

Delights – If Heaven Looks A Little Like This: Not Your Average Indie Band

  • ALBUM REVIEWS
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January 12, 2025

Franz Ferdinand – The Human Fear: Welcomed Familiarity Where Innovation Falls Short

  • ALBUM REVIEWS
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January 10, 2025

Ethel Cain – Perverts: A Haunted Descent Into Torment

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January 6, 2025

The Rock Revival’s Ones To Watch 2025

  • REPORTS
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December 22, 2024

The Chats @ NX Newcastle – Chaos & Camaraderie

  • LIVE REVIEWS
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December 22, 2024

Kneecap @ SSE Arena, Belfast – History Made In The North

  • LIVE REVIEWS
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December 11, 2024

Royel Otis @ The Academy, Dublin – Mastering The Art Of Reinvention

  • LIVE REVIEWS
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December 6, 2024

The Snuts @ O2 Academy, Leeds – Flying Cone Chaos & Stomping Scottish Fury

  • LIVE REVIEWS
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December 4, 2024

Sam Fender @ 3Arena, Dublin – Back In The Gasworks Screamin’ The Song

  • LIVE REVIEWS
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November 29, 2024

Been Stellar Revive A Forgotten Era in Newcastle

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November 28, 2024

The Murder Capital Speak On Third Album ‘Blindness’, Shane MacGowan and Touring With Nick Cave

  • INTERVIEWS
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November 13, 2024

Fontaines D.C. @ K.B. Hallen – Fan Favourites For a Long Time

  • LIVE REVIEWS
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October 24, 2024

Soft Play Prove Punks Not Dead In Manchester

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October 21, 2024

Chalk: The Irish band merging post-punk and techno

  • INTERVIEWS
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October 17, 2024

The Last Dinner Party provide theatrical thrills at O2 Victoria Warehouse

  • LIVE REVIEWS
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October 15, 2024

Wunderhorse signpost their past, present, and future at Brixton Academy

  • LIVE REVIEWS
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October 4, 2024

Jake Bugg – A Modern Day Distraction: Back To His Roots and His Best

  • ALBUM REVIEWS
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October 4, 2024

The Rock Revival’s Guide to Neighbourhood Festival

  • REPORTS
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October 3, 2024

Balancing Act – Tightropes and Limericks: A strong second step into the future

  • EP REVIEWS
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September 26, 2024

The Rock Revival’s Guide to Manchester’s Best Grassroots Venues

  • REPORTS
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September 19, 2024

Blossoms – Gary: An Infectious Wave of Indie Pop Joy

  • ALBUM REVIEWS
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September 12, 2024

Gurriers – Come and See: Racket and Rage the Makers of Success

  • ALBUM REVIEWS
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August 23, 2024

Wunderhorse – Midas: Finding Their Voice, One Step At A Time

  • ALBUM REVIEWS
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August 17, 2024

Liam Gallagher: Live at Belfast Vital – Still Sounding Supersonic

  • LIVE REVIEWS
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August 16, 2024

Fontaines D.C – Romance: A Step Towards Stardom

  • ALBUM REVIEWS
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August 4, 2024

Truck Festival 2024: In Review

  • REPORTS
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July 24, 2024

The Rock Revival’s 10 Acts To Get Excited for at Truck Festival

  • REPORTS
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July 19, 2024

SOFT PLAY– HEAVY JELLY: A punk Criticism of Modern Life.

  • ALBUM REVIEWS
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July 14, 2024

Jungle: Live at Castlefield Bowl, Manchester – Pure Ecstasy

  • LIVE REVIEWS
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June 25, 2024

The Mysterines – Afraid of Tomorrows: Untangling Feelings of Fear and Foreboding

  • ALBUM REVIEWS
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June 25, 2024

Liam Gallagher: Live at 3Arena, Dublin – A Trip Down Memory Lane

  • LIVE REVIEWS
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June 21, 2024

Been Stellar —  Screams from New York, NY: Storytelling Perfection

  • ALBUM REVIEWS
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June 15, 2024

Primavera Sound 2024: In review

  • LIVE REVIEWS
  • REPORTS
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June 10, 2024

Kneecap — Fine Art: Brilliance To Match Its Boldness

  • ALBUM REVIEWS
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June 3, 2024

Corella: Live at O2 Ritz Manchester – Manchester’s Hidden Gem

  • LIVE REVIEWS
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May 28, 2024

8 artists you can’t miss at Primavera Sound Barcelona and Porto 2024!

  • REPORTS
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May 22, 2024

BIG SPECIAL: Live at The Jazz Cafe, London

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May 18, 2024

The Howlers – What You’ve Got To Lose To Win It All: A Timeless Debut From A Band Hungry For More

  • ALBUM REVIEWS
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May 14, 2024

BIG SPECIAL – POSTINDUSTRIAL HOMETOWN BLUES: Punk, Politics and Poetry

  • ALBUM REVIEWS
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May 4, 2024

Fever: Why Can’t You Hear Me? — Retro Synths and Infectious Songwriting

  • EP REVIEWS
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May 3, 2024

Corella – Once Upon A Weekend: Raw Talent Meets Boundless Creativity!

  • ALBUM REVIEWS
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May 1, 2024

The Royston Club Live @ Limelight, Belfast — Pure Indie Delight

  • LIVE REVIEWS
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April 16, 2024

The Hives: Live at The Olympia Theatre, Dublin

  • LIVE REVIEWS
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April 9, 2024

The K’s — I Wonder If The World Knows?: The Soundtrack for a Whole New Generation

  • ALBUM REVIEWS
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April 8, 2024

Vampire Weekend – Only God Was Above Us: A Modern Day Classic

  • ALBUM REVIEWS
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April 4, 2024

The Libertines — All Quiet on the Eastern Esplanade: Maturity Marks For Success

  • ALBUM REVIEWS
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March 25, 2024

5 Acts That Caught Our Eye at SXSW Festival

  • REPORTS
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March 23, 2024

Yard Act: The Self-Deprecating Dreamers Tick Off Another One Of Their Worldly Ambitions

  • LIVE REVIEWS
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March 22, 2024

Basht. — Dirty White Lies: Mature Musicianship on Debut EP

  • EP REVIEWS
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March 20, 2024

Overpass take their stunning debut EP to the stage @ Oslo, London

  • LIVE REVIEWS
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March 13, 2024

Bleachers – Self Tilted: Jack Antonoff favours vulnerability over euphoria on an album full of right turns

  • ALBUM REVIEWS
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March 7, 2024

SXSW Festival — The Rock Revival’s Ones To Watch

  • REPORTS
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March 6, 2024

The Katuns — Is It Too Late?: A Nostalgic Outpouring of Modern Life

  • EP REVIEWS
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March 4, 2024

Yard Act – Where’s My Utopia? – Leeds quartet avoid second album slump with a genre-bending masterpiece

  • ALBUM REVIEWS
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March 1, 2024

Liam Gallagher & John Squire: Nineties Nostalgia and Snarly Tones

  • ALBUM REVIEWS
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February 22, 2024

The Snuts — Millennials: An Abundance of Ear Candy

  • ALBUM REVIEWS
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February 20, 2024

IDLES — TANGK: Overcoming With Love & Guts

  • ALBUM REVIEWS
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February 19, 2024

Crawlers — The Mess We Seem To Make: Thrives in its Energy and Vulnerability

  • ALBUM REVIEWS
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February 15, 2024

Royel Otis – PRATTS & PAIN: Australian duo brilliantly embrace all things weird and wonderful on a debut full of quirks

  • ALBUM REVIEWS
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February 14, 2024

Declan McKenna – What Happened to the Beach?: A Bizarre Right Turn from Indie’s Golden Boy

  • ALBUM REVIEWS
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February 10, 2024

A moment between artist and audience – Noah Kahan @ 3Arena, Dublin

  • LIVE REVIEWS
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February 8, 2024

Overpass — From The Night: Delightful Indie Debut

  • EP REVIEWS
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February 6, 2024

Jamie Webster — 10 For The People: Passionate Socialist Mantras

  • ALBUM REVIEWS
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January 31, 2024

Dylan John Thomas — Self Titled: Sturdy Scottish Folk

  • ALBUM REVIEWS
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January 30, 2024

The Last Dinner Party – Prelude To Ecstasy: An immersive triumph at converting a live spectacle to a theatrical debut

  • ALBUM REVIEWS
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January 29, 2024

The Smile – Wall of Eyes: A dark, sonically expansive body of work that may just eclipse Radiohead

  • ALBUM REVIEWS
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January 26, 2024

NewDad — MADRA: Dreamy and Hypnotic Debut

  • ALBUM REVIEWS
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January 26, 2024

The Reytons — Ballad of a Bystander: Lightning-In-A-Bottle Energy is Starting to Fade

  • ALBUM REVIEWS
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January 24, 2024

junodream – Pools of Colour: Potent and Atmospheric Debut

  • ALBUM REVIEWS
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January 22, 2024

Green Day – Saviors: A Triumphant Return To The Spotlight

  • ALBUM REVIEWS
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January 22, 2024

The Rock Revival’s Most Anticipated Albums of 2024

  • REPORTS
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January 16, 2024

Flat Party EP: Intricate Lyricism Makes For Exciting Debut

  • EP REVIEWS
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