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albumreview
September 21, 2025
NewDad – Altar: Subterranean homesick angst powers another bold leap for Galway’s shoegazers
ALBUM REVIEWS
July 21, 2025
The K’s – Pretty On The Internet: Transforming Vulnerability Into a Vivid, Empathic Sound
ALBUM REVIEWS
April 4, 2025
Djo – The Crux: A Musician Fully Confident In His Craft
ALBUM REVIEWS
April 4, 2025
Black Country, New Road – Forever Howlong: A New Statement of Identity
ALBUM REVIEWS
March 17, 2025
In conversation with The Wombats: “You would hope that a good song will find people eventually”
INTERVIEWS
March 14, 2025
Courting: Lust for Life – Symmetrical, Genre-Bending Genius
ALBUM REVIEWS
March 10, 2025
In conversation with Courting: Boring rock bands, dividing a fanbase and new album Lust for Life
INTERVIEWS
March 8, 2025
5 Acts We’re Excited To See At SXSW
REPORTS
February 27, 2025
The Lathums – ‘Matter Does Not Define’: Stuck to Their Roots
ALBUM REVIEWS
February 10, 2025
Inhaler live @ O2 Apollo Manchester – A party starter for album number three
LIVE REVIEWS
February 2, 2025
Inhaler: Open Wide – A Mainstream Move With Flair
ALBUM REVIEWS
January 31, 2025
Circa Waves: Death & Love Pt. 1 – Uplifting, Energetic Indie From The Jaws of Tragedy
ALBUM REVIEWS
January 30, 2025
Brooke Combe – Dancing At The Edge Of The World: A Confident New Voice
ALBUM REVIEWS
January 17, 2025
Pastel – Souls in Motion: A Bright Start For A Bold New Voice
ALBUM REVIEWS
January 16, 2025
Delights – If Heaven Looks A Little Like This: Not Your Average Indie Band
ALBUM REVIEWS
January 12, 2025
Franz Ferdinand – The Human Fear: Welcomed Familiarity Where Innovation Falls Short
ALBUM REVIEWS
December 6, 2024
The Snuts @ O2 Academy, Leeds – Flying Cone Chaos & Stomping Scottish Fury
LIVE REVIEWS
December 4, 2024
Sam Fender @ 3Arena, Dublin – Back In The Gasworks Screamin’ The Song
LIVE REVIEWS
October 17, 2024
The Last Dinner Party provide theatrical thrills at O2 Victoria Warehouse
LIVE REVIEWS
October 4, 2024
Jake Bugg – A Modern Day Distraction: Back To His Roots and His Best
ALBUM REVIEWS
September 19, 2024
Blossoms – Gary: An Infectious Wave of Indie Pop Joy
ALBUM REVIEWS
September 12, 2024
Gurriers – Come and See: Racket and Rage the Makers of Success
ALBUM REVIEWS
August 16, 2024
Fontaines D.C – Romance: A Step Towards Stardom
ALBUM REVIEWS
July 24, 2024
The Rock Revival’s 10 Acts To Get Excited for at Truck Festival
REPORTS
June 21, 2024
Been Stellar — Screams from New York, NY: Storytelling Perfection
ALBUM REVIEWS
June 10, 2024
Kneecap — Fine Art: Brilliance To Match Its Boldness
ALBUM REVIEWS
May 14, 2024
BIG SPECIAL – POSTINDUSTRIAL HOMETOWN BLUES: Punk, Politics and Poetry
ALBUM REVIEWS
May 4, 2024
Fever: Why Can’t You Hear Me? — Retro Synths and Infectious Songwriting
EP REVIEWS
May 3, 2024
Corella – Once Upon A Weekend: Raw Talent Meets Boundless Creativity!
ALBUM REVIEWS
April 9, 2024
The K’s — I Wonder If The World Knows?: The Soundtrack for a Whole New Generation
ALBUM REVIEWS
April 8, 2024
Vampire Weekend – Only God Was Above Us: A Modern Day Classic
ALBUM REVIEWS
April 4, 2024
The Libertines — All Quiet on the Eastern Esplanade: Maturity Marks For Success
ALBUM REVIEWS
March 13, 2024
Bleachers – Self Tilted: Jack Antonoff favours vulnerability over euphoria on an album full of right turns
ALBUM REVIEWS
March 4, 2024
Yard Act – Where’s My Utopia? – Leeds quartet avoid second album slump with a genre-bending masterpiece
ALBUM REVIEWS
March 1, 2024
Liam Gallagher & John Squire: Nineties Nostalgia and Snarly Tones
ALBUM REVIEWS
February 22, 2024
The Snuts — Millennials: An Abundance of Ear Candy
ALBUM REVIEWS
February 19, 2024
Crawlers — The Mess We Seem To Make: Thrives in its Energy and Vulnerability
ALBUM REVIEWS
February 15, 2024
Royel Otis – PRATTS & PAIN: Australian duo brilliantly embrace all things weird and wonderful on a debut full of quirks
ALBUM REVIEWS
February 8, 2024
Overpass — From The Night: Delightful Indie Debut
EP REVIEWS
January 30, 2024
The Last Dinner Party – Prelude To Ecstasy: An immersive triumph at converting a live spectacle to a theatrical debut
ALBUM REVIEWS
January 29, 2024
The Smile – Wall of Eyes: A dark, sonically expansive body of work that may just eclipse Radiohead
ALBUM REVIEWS
January 26, 2024
NewDad — MADRA: Dreamy and Hypnotic Debut
ALBUM REVIEWS
January 26, 2024
The Reytons — Ballad of a Bystander: Lightning-In-A-Bottle Energy is Starting to Fade
ALBUM REVIEWS
January 24, 2024
junodream – Pools of Colour: Potent and Atmospheric Debut
ALBUM REVIEWS
January 22, 2024
Green Day – Saviors: A Triumphant Return To The Spotlight
ALBUM REVIEWS
January 22, 2024
The Rock Revival’s Most Anticipated Albums of 2024
REPORTS
January 9, 2024
The Vaccines – Pick Up Full Of Pink Carnations: Indie Stalwarts Reflect on Love, Loss & Moving On
ALBUM REVIEWS
January 5, 2024
Sprints – Letter to Self: Post-Punk Passion to Start 2024
ALBUM REVIEWS
December 27, 2023
The Rock Revival’s Top 10 Albums of 2023
REPORTS
November 22, 2023
Jamie Webster – Live at O2 Victoria Warehouse
LIVE REVIEWS
November 19, 2023
Greta Van Fleet — Live at 3 Arena, Dublin
LIVE REVIEWS
November 18, 2023
The Clause — Pop Culture: Impressive Musicianship From Indie Newcomers
EP REVIEWS
Uncategorised
November 14, 2023
Jungle – Live in K.B. Hallen, Copenhagen
LIVE REVIEWS
November 2, 2023
The Royston Club – Live at New Century Hall, Manchester
LIVE REVIEWS
October 30, 2023
Wunderhorse – Live at 02 Ritz Manchester
LIVE REVIEWS
October 25, 2023
Black Pumas — Chronicles of a Diamond: Passionate and Genre-Bending Soul
ALBUM REVIEWS
October 17, 2023
Arctic Monkeys – Live at the SSE Arena
LIVE REVIEWS
Uncategorised
October 4, 2023
Vistas — Is This All We Are?: A Healthy Mix of Anthems & Fatigue
ALBUM REVIEWS
August 30, 2023
Royal Blood — Back To The Water Below: Funky and vintage Royal Blood contrasts with a hit and miss approach.
ALBUM REVIEWS
August 11, 2023
The Hives — The Death Of Randy Fitzsimmons: High-Scale Energy On Its Sleeve
ALBUM REVIEWS
August 3, 2023
Jacob Slater — Pinky, I Love You: Beautiful In Its Vulnerability
ALBUM REVIEWS
July 17, 2023
blur – The Ballad of Darren: A perfect and poignant full stop on the band’s legacy
ALBUM REVIEWS
July 6, 2023
PJ Harvey — I Inside the Old Year Dying: An Immersive, Tenderly Beautiful Return
ALBUM REVIEWS
June 28, 2023
Grian Chatten — Chaos For The Fly: Intimacy At The Heart of the Artist
ALBUM REVIEWS
June 3, 2023
Foo Fighters – But Here We Are: An Impressive Tribute To One Of Rock’s Greatest Drummers
ALBUM REVIEWS
June 2, 2023
NGHFB — Council Skies: Irresistibly Nostalgic and Hopeful
ALBUM REVIEWS
June 1, 2023
The Royston Club— Shaking Hips & Crashing Cars: A Soundscape Of Adolescent Life
ALBUM REVIEWS
April 24, 2023
Brooke Combe: Black Is The New Gold – A Soulful Ode to Adolescence
ALBUM REVIEWS
March 31, 2023
Boygenius: The Record — An Emotionally Immersive Venture Into Trauma and Vulnerability
ALBUM REVIEWS
March 31, 2023
DMA’s: How Many Dreams? — A Lacklustre Attempt At Change
ALBUM REVIEWS
March 3, 2023
The Lathums — From Nothing To A Little Bit More: Honesty & Heartbreak
ALBUM REVIEWS
February 24, 2023
Gorillaz – Cracker Island: An Exceptional Sonic Spectrum
ALBUM REVIEWS
February 16, 2023
Inhaler — Cuts and Bruises: A Slick and Mature Return
ALBUM REVIEWS
February 3, 2023
Somebody’s Child – Self-Titled: Exciting Debut from Dublin Talent
ALBUM REVIEWS
January 20, 2023
The Murder Capital — Gigi’s Recovery: A Welcomed Break of Silence
ALBUM REVIEWS
January 20, 2023
The Reytons – What’s Rock and Roll?: Passion and Predictability In Abundance
ALBUM REVIEWS
October 20, 2022
Arctic Monkeys — The Car: A Soundtrack to Turner’s Imagination
ALBUM REVIEWS
October 7, 2022
Wunderhorse: Cub — Profound Storytelling Makes For Exciting Debut
ALBUM REVIEWS
September 30, 2022
The Snuts: Burn The Empire — Political Angst and Indie Anthems Combine
ALBUM REVIEWS
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